![]() ![]() There will be seven slabs since the total product quantity is 640,000 and the slab size is 100,000.Įach slab will have a specific discount percentage. ![]() Second Layer of Discount: Apply the discount per slab (6% in this case).The iterative price per piece becomes $6.65. First Layer of Discount: Apply the offered discount (5% in this case).Wonder how the effective piece per piece is derived now?įor the sake of explanation, let’s take a variable named “Iterative Price per Piece.”. Effective Piece Per Piece: To be derived after applying the Offered Discount and Discount Per Slab.Slab: 1,00,000 (each 1,00,000 of the total product quantity becomes a slab).The offered discount is 5%, and the discount per slab is 6%. Let’s consider a B2B customer with a price per piece of INR 7 and a total product quantity of 640,000. Discount per slab: A dynamic discount percentage is applied at each slab, where the slab size could also be dynamic.Offered Discount: A one-time discount on the price per piece.The client provided two layers of discounts on the products The client’s customers were categorised into three groups A customised quote PDF had to be generated and sent to customers Detailed use case The goal was to derive an “effective price per piece” after applying two layers of discounts to the “actual price per piece” calculated from the “total product quantity” for various customer types (B2B, B2C, walk-in customer). Manual price adjustments were time-consuming and prone to errors, so the client needed an automated solution to optimise their pricing strategies. They wanted to dynamically adjust prices based on market demand, discounts, price lists, different price books, and customer segmentation. The client required an efficient and scalable pricing engine integrated into the Salesforce platform.
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i know macports is a volunteer effort, but i find it strange not to release a minor patch version with a temporary fix while the dust settles around the other software involved: macos, little snitch, etc. Yes, it's not directly macports' fault per se, but it triggers it, and it makes running macports akin to playing russian roulette. although it causes no kernel panic at the moment ("only" full networking loss until reboot), the going advice is "use master" and/or with some undocumented option overrides. it has been widely reported by many people. My grand total time invested in this issue is in days already. Nevertheless, if you encounter the problem, it's worth reporting it, removing any network filter interfaces, and/or trying the max ping workaround.įundamentally, useful sysdiagnose dumps and feedback reports are going to be the way to get this to the right people at Apple. My guess is that network filters exacerbate some kind of race condition or deadlock in the network stack, but the problem probably isn't directly related. If you mention this thread and the feedback ID I used, it might help this get elevated up the chain at Apple so that someone can solve it. If you encounter the problem, it's worth running sudo sysdiagnose as the problem happens, then attach the CLI generated tar.gz that starts with sysdiagnose to a feedback report using applefeedback://. I sent Apple Feedback a ticket with ID FB9031599. While I couldn't get around the problem by disabling the network filter from the Little Snitch menu, completely removing the network filter interface in the Network prefpane worked. The interesting attributes I have are that I'm on an M1 system, so I figured it was a Rosetta issue or Apple Silicon issue. ![]() I'm on macOS 11.2.2 with Little Snitch 5.1.1. I had the same problem, found after googling in resignation and landing at #62360. ![]() When you're done viewing your account details, click the Back arrow to return to the main interface.For more information, see Checking For Updates in the WSA PC User Guide. For more information, see Creating Webroot Accounts in the WSA PC User Guide From here, you can do any of the following:.Status – This is the status of the product you purchased.Keycode - This is your keycode the numbers are blocked out based on your security settings.The My Account interface has the following information: To view additional account information, click the My Account gear icon.Learn More – Displays the Webroot SecureAnywhere Customer webpage where you can read about security features of Webroot SecureAnywhere functionality.Activate a New Keycode – Displays the Webroot SecureAnywhere online console, where you can create an account that allows you to manage your security across multiple devices.Type the following command into the command prompt window and hit enter: C:Program FilesWebrootWRSA.exe' uninstall. ![]() Once the program opens in the search window, click on Run as administrator. From Stanley Kubricks anonymous sex orgy party classic Eyes Wide Shut to the very different mainstream accounts of real-life BDSM kink in Fifty Shades of. In the My Account area, click either of the following buttons, as needed: Navigate to the Windows search bar and type in Command Prompt.When you open the main interface, it displays the Overview. If you cannot locate the system tray icon, open the Windows Start menu, click All Programs (or Programs), Webroot SecureAnywhere, then Webroot SecureAnywhere again. I copy and paste the key, Webroot says it is activated and does a scan. To open the main interface, you can: Right-click on the Webroot icon from the system tray menu, then click View Status. I press the button that says Activate My Account. Every time I open Webroot it says Account Activation Needed. Product Version Number – This is the version number of the product you purchased. Hello, I installed a fresh copy of Webroot Secure Anywhere on a new installation of Windows 10 Professional.The Security panel for that computer displays. Click the newly installed PC’s icon to open its information panel. By default, SecureAnywhere displays the machine name. The new PC displays in the PC Security panel. Product Name – This is the name of the product you purchased. Free for Webroot SecureAnywhere Internet Security Complete users. For more information, see Logging into your account. Enter the email address and password you specified when you registered.Keycode – This is your keycode the numbers are blocked out based on your security settings.The My Account area has the following information: If prompted, complete the CAPTCHA window and click Continue. If asked to confirm whether you want to shut down Webroot, click Yes. If it is not checked: Check it and click Save. Ensure that the box labeled Allow SecureAnywhere to be shut down manually is checked. The My Account area displays, with your account information. Open Webroot and click Advanced Settings. From the system tray, double-click the Webroot icon to display the main interface.You can view your keycode and the time remaining on your subscription from the My Account window. ![]() (You could argue that nothing was more bourgeois than their attempt to destroy bourgeois values.) Paik’s version of this was his collaboration with the classical cellist Charlotte Moorman, who at one point performed topless, which got them in trouble for violating decency codes. He wanted to attack the status quo - which a lot of people did at the time, producing a lot of really bad didactic “destructive” art. Yet part of the fascination of Paik’s story is that even as he moved to New York and signed on to what would become the guerrilla art movements of the late ’60s, he had no clear idea of what he wanted to do. He was in rebellion against his father, whom he hated, and part of what had drawn him to John Cage is that in doing things like wrecking pianos, Cage, in Paik’s view, was overthrowing the primacy - almost the colonialism - of Western music. They saw themselves as a force of revolt, which spoke to Paik. ![]() That same year he joined the experimental artist collective Fluxus, whose 20 or so members included Yoko Ono, Joseph Beuys, and Jonas Mekas. It was there, in 1962, that he acquired a Sony Port-a-Pak, the first commercially available video recorder. Having fled with his family from Seoul in 1950, during the Korean War, Paik lived and studied in Hong Kong, Tokyo, West Germany, and then Tokyo again. Paik first wanted to play piano and compose like Schoenberg, and once he saw Cage, a world of avant danger opened up to him. Paik, born into one of the wealthiest families in Korea, originally planned to be a classical pianist, and the first 20th-century groundbreaker he cleaved to was Arnold Schoenberg, the Austrian-American pioneer of 12-tone music - i.e., the kind of clashing non-harmonic harmony that, for decades, left classical-music audiences occasionally entranced and mostly befuddled. He came to see his entire existence prior to that as having taken place “B.C.” (before Cage), and the two ultimately became close friends. Paik first saw Cage perform in Germany in 1958, a night that changed his life. In fact, as the documentary shows, Cage, with his visionary avant-garde audience-baiting mock-classical concert stunts, was a god to Nam June Paik. It’s that the notion of “video art” appeared, in its formative days, to be a kind of knowing tech-age contradiction, almost a conceptual conceit, like the art of Marcel Duchamp or the music of John Cage. It was weird and kind of gripping, but a part of me would think: What is this doing in a museum? It’s not that it had zero place there. When he was first becoming famous, about 50 years ago, you’d go to see a Nam June Paik installation at someplace like the Museum of Modern Art, and it would seem quirky and exotic - a tower of stacked TV screens, all flashing what looked like the squiggly visual equivalent of feedback. ![]() ![]() Directed by Amanda Kim (it’s her first feature, and so well-done that I expect it to be the first of many), it’s a tantalizing portrait of Nam June Paik, the revolutionary Korean-born video artist who, in the late ’60s and ’70s, did nothing less than invent an art form. “ Nam June Paik: Moon Is the Oldest TV” is like that. Every so often, you’ll see a portrait-of-the-artist documentary that’s so beautifully made, about a figure of such unique fascination, whose art is so perfectly showcased by the documentary format, that when it’s over you can’t believe the film hadn’t existed until now. ![]() Done properly, you can create beautiful work with raster graphics. ![]() They understand the strengths, as well as the limitations, and how to maximize their potential. When raster graphics are sent to print for jobs such as posters, CD packaging or high quality album art, they are usually being handled by seasoned graphic designers who understand the nuances involved with printing raster images, such as resolution, color correction and saving/exporting each file for it's intended purpose based on it's starting specifications. If you're saving an image off your Facebook, it has already been resized and compressed who knows how many times by the time you save your copy. Usually the source file, which has the highest resolution with the least amount of compression, is required, and often times people simply do not keep these files/know how to identify them. There are times where a raster graphic is suitable for print, however, because it is impossible to enlarge them without a loss in quality (called "upsampling"), the raster must begin as high resolution for best results. Raster graphics are ideal for the web and photography. Because the graphics are made up of millions of dots of color, the file sizes are typically much larger and take up more memory. Rasters can be scaled smaller, but never scaled to be larger than their original dimensions without a loss in quality, because they are resolution dependent. Rasters are considered destructively editable, which means that once you alter a pixel graphic, you cannot easily revert it unless you have a previous save available. By default, photographs are inherently raster images. ![]() But as you zoom in, you begin to see the individual pixels that make the image up. From a distance, the picture you are viewing may look whole and beautiful. RasterĪ raster graphic is one that consists of tiny square pixels within a grid and are often referred to as bitmap images - because they are millions of bits upon a map. The final product and printing process of your design should also be a determining factor. They are both valuable and serve different purposes. So let’s start from the beginning, shall we? What is the difference between a raster graphic and a vector graphic?Īnswering this question will help you determine what program you design in, and what file types you should save as. So we’re here to break down some of the basic concepts of creating digital artwork to help you focus on what you do best: your music. Raster? Vector? What are these strange words? What does it all mean?! And yet at the same time, we keep trying to grasp these foreign notions because we recognize the importance of strong design and the role it plays in complementing our work as musicians - from great CD packaging, to T-shirts and all the great little tidbits your fans gobble up at your merch tables. There are a ton of options when it comes to creating digital artwork - with so many different programs, and file types it’s easy to get overwhelmed. Similarly to music, the world of design is vast. |
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